Jezebel

 

Natalie Portman Embodies Pop Spectacle in Brady Corbet’s Vox Lux

With Vox Lux, Corbet speaks to how pop music is far more about the spectacle than the music, but he also examines how unnecessary intellectual rigor or technical skill is to the process. The modern pop star’s job is not to tell us how to feel, but to provide us with a template upon which to project our feelings. They bring the melodic frame and we bring the emotional heft. It is a symbiotic relationship of sorts: we pay them to reflect ourselves back to us.


Where Hands Touch Can't Make a Nazi Love Story Work

While expertly made, the film fails because it refuses to meaningfully acknowledge the basic truth of the terrifying power dynamics between the two lovers. […] Where Hands Touch focuses so much on the idea that love can traverse any boundary that it forgets there’s no love strong enough to bridge a genocide.